![]() ![]() This mysterious world event provides a solid grounding for the fictional monsters to exist. For those nonvested in ancient ground shakes, the estimated 9.2 magnitude earthquake is only known to us now due to tsunami records in Japan and dead trees in the “ghost forests” of Oregon. Mentioned offhandedly is the actual Cascadia earthquake of 1700, used as the event that unleashed the salamander-like star beasts of the film. The smaller plot details and editing choices interwoven into The Tank provide a welcome touch to the monster flick. Thriving on its gloomy Pacific Northwest setting, The Tank makes hay with its use of environment, some nifty camera work, and some good ol’ fashioned practical monsters. While the script may leave viewers wishing there was more meat on the bone to chew, other elements of the movie step up their game to make up for it. Some of the bigger reveals and dialogue come off a bit clunky at times, even though Buchanan and Whelan deliver compelling performances. The overall plot is fairly simple, though it does dip its toes into a more compelling storyline involving Ben‘s family history. ![]() The Tank supplies relatively typical monster movie fare for horror fans. Amidst secrets of his mother’s past, including the mysterious deaths of his father and sister, Ben and Jules fight to protect their daughter and leave the coastline before it’s too late. Not long after, a monstrous lizard-like creature begins to terrorize the family. Jules investigates a dead eel-like creature found in the tank, determining it may be the larvae of an undiscovered species. The family travels to the acreage and are astounded with its beautiful views of the Pacific coastline, almost making up for the dilapidated condition of the cottage.Īfter Ben re-engages a large underground water tank near the house, the good feelings quickly turn to pure fear. “ The Tank makes hay with its use of environment, some nifty camera work, and some good ol’ fashioned practical monsters.”īen questions why he never knew of the property, though he’s not surprised as his mother struggled with mental illness for most of his life. The real estate comes as a welcome surprise for the financially struggling couple and their young daughter, as they attempt to save money for Jules to complete veterinary school. Well, the little things in addition to slimy earthquake-born lizards, who also seem to do pretty well for themselves.Īfter the passing of his mother, Ben (Matt Whelan) and his wife Jules (Luciane Buchanan) learn he has inherited a previously unknown property along the Pacific coast. Given the cartoonish absurdity, I might need to see more episodes, if there are any, to get a better feel for the show.Its the little things that thrive in Scott Walker’s creature feature the The Tank. Maybe an Older Gregg, who also looks like a cenobite in a trash bag. In this case, Wilfred is The Wail, an absurd and creepy amphibious being that reminded me of Old Gregg from the British show The Mighty Boosh, but slightly more serious and mystic. It echoes Wilfred, the show where Elijah Wood talked to a man in a dog suit who was also somehow his neighbor’s real dog. At times, I enjoyed how the episodes skewered TV and superhero tropes, but I’m not sure I understood the overall intent. The opening plays like a pastoral Eraserhead, but the film becomes a dark fairy tale about the difficulties of sharing a life with someone else.īeached is presented as three episodes of an Adult Swim-style TV show, though I don’t know if that is because it’s going to be a show or is a commentary on television story structure. She brings it home to her husband, Guido, who is annoyed about the bizarre offspring his wife has not only brought home, but now pampers like a baby. Flor, a countrywoman, plucks a newborn growth she names “Gurumelo” from among mushrooms in the forest. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |